For several years I’ve been collecting horror anthologies. Some
have focused on a theme and some have been “best of” annuals. In the
second category I’ve found certain editors can be counted on to gather
and reprint truly exceptional stories. Stephen Jones’s Mammoth Book of Best New Horror, Paula Guran’s The Year’s Best Dark Fantasy and Horror, and Ellen Datlow’s The Best Horror of the Year
have no reason to apologize for hyperbole. These are editors who read
widely and with great respect for the genre. The work they deliver is
extraordinary and well worth the cover price.
While making my way through annual anthologies and reading magazines such as Black Static, Supernatural Tales, Shadows & Tall Trees, and Nightmare Magazine, certain names turn up time and again. One writer whose work I’ve come to admire very much is Lynda E. Rucker. In fact, after reading a couple of her stories I began to look for her name as a sure-fire sign that the volume before me was going to be good.
Karoshi Books, a British small press, is run by award-winning editor Johnny Mains, Peter Mark May of Hersham Horror Books, and Cathy Hurren, a production editor at Routledge. Last September Karoshi Books released The Moon Will Look Strange by Lynda E. Rucker, one of the best story collections of 2013. This is another instance in which a small press identifies an undeniably superb talent far ahead of bigger, more bureaucratic publishing companies.
The Moon Will Look Strange pulls together some of the Rucker stories that appeared earlier in magazines and anthologies (some a few years old and some quite recent) as well as three new stories original to the collection. It’s a beautiful book full of strange, dark-edged, eerie tales. I can’t recommend it highly enough. If you like weird fiction, or horror with an emphasis on literary excellence and precise psychological insight set in fascinating, dreamlike locations, you will fall in love with Rucker’s world.
Among the many delights of The Moon Will Look Strange:
“The Burned House,” in which a woman is inexplicably drawn to the remnants of a personal tragedy.
“No More A-Roving,” about a young traveler who can’t seem to move on from the hostel where he’s chosen to rest, and where odd little occurrences remind him of his longing for connection and his perpetual need to remain in transition.
“The Chance Walker,” a story that will keep you up all night double-checking the windows and doors, and that one spot where it seems there ought to be a door.
“The Moon Will Look Strange,” a sharp, painful study of a father’s grief and the length to which he will go to reclaim what he’s lost.
“These Things We Have Always Known,” one of the first Rucker stories I encountered, and still quite impressive after several reads. This is a perfect illustration of the author’s gift for marrying a character’s state of mind to the physical environment.
“The Last Reel,” first published in Supernatural Tales, a very creepy story about a woman who returns to her deceased aunt’s house and makes a shocking discovery, all the while carrying on a cinematic trivia game with her boyfriend.
These are tales you will not forget. The settings seem familiar and yet off-kilter, like landscapes in a dream, or places remembered from a journey years ago. The loneliness and complex desires of the characters will haunt you. No one is better at capturing rare (and terrifying) moments of numinous wonder.
2013 was a year of many fine novellas and story collections. I’d place The Moon Will Look Strange near the top of the list. If you love short fiction as an art form and as a deeply emotional/psychological experience, you can’t miss with Lynda E. Rucker.
For more Rucker fiction read Supernatural Tales 24, Shadows & Tall Trees #5, and Nightmare Magazine (June 2013), as well as Little Visible Delight, an anthology I co-edited with Kate Jonez, published by Omnium Gatherum Media. For non-fiction read Rucker’s brilliant column, Blood Pudding, in Black Static and her blog, in the pines. You can also hear an audio version of “The Last Reel” at Pseudopod.
While making my way through annual anthologies and reading magazines such as Black Static, Supernatural Tales, Shadows & Tall Trees, and Nightmare Magazine, certain names turn up time and again. One writer whose work I’ve come to admire very much is Lynda E. Rucker. In fact, after reading a couple of her stories I began to look for her name as a sure-fire sign that the volume before me was going to be good.
Karoshi Books, a British small press, is run by award-winning editor Johnny Mains, Peter Mark May of Hersham Horror Books, and Cathy Hurren, a production editor at Routledge. Last September Karoshi Books released The Moon Will Look Strange by Lynda E. Rucker, one of the best story collections of 2013. This is another instance in which a small press identifies an undeniably superb talent far ahead of bigger, more bureaucratic publishing companies.
The Moon Will Look Strange pulls together some of the Rucker stories that appeared earlier in magazines and anthologies (some a few years old and some quite recent) as well as three new stories original to the collection. It’s a beautiful book full of strange, dark-edged, eerie tales. I can’t recommend it highly enough. If you like weird fiction, or horror with an emphasis on literary excellence and precise psychological insight set in fascinating, dreamlike locations, you will fall in love with Rucker’s world.
Among the many delights of The Moon Will Look Strange:
“The Burned House,” in which a woman is inexplicably drawn to the remnants of a personal tragedy.
“No More A-Roving,” about a young traveler who can’t seem to move on from the hostel where he’s chosen to rest, and where odd little occurrences remind him of his longing for connection and his perpetual need to remain in transition.
“The Chance Walker,” a story that will keep you up all night double-checking the windows and doors, and that one spot where it seems there ought to be a door.
“The Moon Will Look Strange,” a sharp, painful study of a father’s grief and the length to which he will go to reclaim what he’s lost.
“These Things We Have Always Known,” one of the first Rucker stories I encountered, and still quite impressive after several reads. This is a perfect illustration of the author’s gift for marrying a character’s state of mind to the physical environment.
“The Last Reel,” first published in Supernatural Tales, a very creepy story about a woman who returns to her deceased aunt’s house and makes a shocking discovery, all the while carrying on a cinematic trivia game with her boyfriend.
These are tales you will not forget. The settings seem familiar and yet off-kilter, like landscapes in a dream, or places remembered from a journey years ago. The loneliness and complex desires of the characters will haunt you. No one is better at capturing rare (and terrifying) moments of numinous wonder.
2013 was a year of many fine novellas and story collections. I’d place The Moon Will Look Strange near the top of the list. If you love short fiction as an art form and as a deeply emotional/psychological experience, you can’t miss with Lynda E. Rucker.
For more Rucker fiction read Supernatural Tales 24, Shadows & Tall Trees #5, and Nightmare Magazine (June 2013), as well as Little Visible Delight, an anthology I co-edited with Kate Jonez, published by Omnium Gatherum Media. For non-fiction read Rucker’s brilliant column, Blood Pudding, in Black Static and her blog, in the pines. You can also hear an audio version of “The Last Reel” at Pseudopod.
